The Lucie Foundation is proud to support professional and emerging talent with vision and dynamic ideas that challenge and progress the art form of still photography into work that compels. Our support of photography is broad, from Fine Art to Documentary and Photojournalism, to digital and film-based works. Our concern is to support photographers producing work that is at once gripping, and original.
The Lucie Foundation is proud to offer four cash grants and a variety of prizes to support the work of emerging and established photographers.
PHOTOJOURNALISM / DOCUMENTARY - EMERGING
2023 LUCIE FOUNDATION
$1000 FINE ART SCHOLARSHIP
$1,000 cash prize + SONY A9M2 camera with a SEL 24-70mm GM2 lens, and $500 PICTO New York voucher for fine art printing and services
WINNING RECIPIENT
Nico Froehlich, South of the River
PROJECT STATEMENT
Growing up in Britain as a child of immigrants, I would hide various elements of my everyday existence. As an adult and a photographer, I actively seek out and champion the very things I obscured and disregarded as a youngster.
From the multicultural melting pots of Southwark and Lewisham to the brutalist blocks and post-war council estates of Thamesmead, south-east London is home to some of the most ethnically and culturally diverse communities in Britain. As gentrification and change continue to tighten their grip on the area, it is now more important than ever to recognise the beauty of variety and the perseverance of a declining working-class community.
South of the River is an ongoing, long-form project incorporating various genres and approaches. Part social realism, part biographical, but ultimately a celebration of the working-class spirit and the rich diversity of south-east London.
The streets I call home.
Website: nicofroehlich.com
HONORABLE MENTION
- Sara Messinger, Shadows of a Teenage Daydream
- Naïma Lecomte, Bergerie de Faucon
- Tianhu Yuan, Self Iterating of Chongqing
- Saja Quttaineh, Visual Unconscious
FINALISTS
- D. M. Terblanche, I Should Have Burnt More Cars
- Matias Bercovich, Pwa K’Nyaw, Seeds of Resilience
- Guanling Chen, Trees Of Life
- Guto Oliveira, Huachu
- Mouneb Taim, War notes
- Jordan Gale, Don’t Be This Way Forever
2024 Lucie Scholarship Program
The Lucie Foundation is proud to support professional and emerging talent with vision and dynamic ideas that challenge and progress the art form of still photography into work that compels. Our support of photography is broad, from Fine Art to Documentary and Photojournalism, to digital and film-based works. Our concern is to support photographers producing work that is at once gripping, and original.
The Lucie Foundation is proud to offer four cash grants and a variety of prizes to support the work of emerging and established photographers.
WINNERS AND FINALISTS WILL BE PART OF A GROUP EXHIBITION IN LOS ANGELES AT LOS ANGELES CENTER OF PHOTOGRAPHY IN NOVEMBER.
MORE INFORMATION REGARDING THE EXHIBITION TO COME.
CATEGORIES
FINE ART
FINE ART - PROFESSIONAL
$3,000 FINE ART SCHOLARSHIP
Professional
$3,000 cash prize + Ilford: Portfolio Bag, along with a box of Smooth Pearl 13 x 19” and Smooth Gloss 13 x 19” + PICTO NYC: $500 voucher for services
FINE ART - EMERGING
$1,000 FINE ART SCHOLARSHIP
Emerging
$1,000 cash prize + Ilford: Portfolio Bag, along with a box of Smooth Pearl 13 x 19” and Smooth Gloss 13 x 19” + PICTO NYC: $500 voucher for services
PHOTOJOURNALISM/DOCUMENTARY
PHOTOJOURNALISM/DOCUMENTARY - PROFESSIONAL
$3,000 PHOTOJOURNALISM/DOCUMENTARY SCHOLARSHIP
Professional
$3,000 cash prize + Ilford: Portfolio Bag, along with a box of Smooth Pearl 13 x 19” and Smooth Gloss 13 x 19” + PICTO NYC: $500 voucher for services
PHOTOJOURNALISM/DOCUMENTARY - EMERGING
$1,000 PHOTOJOURNALISM/DOCUMENTARY SCHOLARSHIP
Emerging
$1,000 cash prize + Sony: A7M4 camera with a SEL24-70GM2 lens + Ilford: Portfolio Bag, along with a box of Smooth Pearl 13 x 19” and Smooth Gloss 13 x 19” + PICTO NYC: $500 voucher for services
MEET THE JURY
Lucy Conticello
Director of Photography, M, Le magazine du Monde
Lucy studied archeology and art history at La Sapienza University in Rome.
A chance encounter brought her to work as an assistant photo editor for a newly minted Italian newsweekly called Liberal. After two formative years as junior assistant photo editor under the generous guidance of Manuela Fugenzi, Lucy moved to study photography practice and history at the Maine Photographic workshops in Rockport, Maine. She later went to New York to pursue a career as photo editor, writer and lecturer. She has worked for Business Week, The New York Times, l’Espresso, The New York Times magazine, Courrier International, The International Herald Tribune as well as photography agencies such as Sipa Press, Magnum Photos and –briefly, the AFP.
In 2011 Lucy joined M, the newly redesigned weekend magazine of Le Monde as the Director of Photography coordinating a staff of photo editors in charge of all the editorial assignments (portraits and features) for the magazine. She established the overall photo assigning budget, negotiated contracts as well as usage rights and thanks to her extensive contacts within the photo industry, is in charge of finding the right person for the job and translating the editor’s ideas to the photographers hired. Lucy works closely with the Creative Director, design team and editors to ensure an environment of creative collaboration.
Lucy has been assigning photographers for several years now; what she loves most is the creative process of pairing photographers with stories, researching and brainstorming ideas and seeing how these pictures end up defining the articles.
Photo Credit: Le Monde
Meruro Washida
Director, Towada Art Center
WASHIDA was born in Kyoto in 1973 and currently lives in Towada. He was a curator at the 21st Century Museum of Contemporary Art, Kanazawa from 1999 to 2018. He received his master’s degree from the University of Tokyo, where he studied art history. He specializes in contemporary art history and museum studies. He was the curator of the Japan Pavilion at the 57th Venice Biennale held in 2017 and Aichi Triennale 2019.
Photo credit: Kuniya Oyamada
Kristen Gresh
Estrellita and Yousuf Karsh Senior Curator of Photographs at the Museum of Fine Arts, Boston (MFA)
Kristen Gresh is the Estrellita and Yousuf Karsh Senior Curator of Photographs at the Museum of Fine Arts, Boston (MFA). At the MFA, her exhibitions have included “Life Magazine and the Power of Photography” (co-organized with Princenton University Art Museum), “Graciela Iturbide’s Mexico” and “She Who Tells a Story: Women Photographers from Iran and the Arab World,” of which she was the author of the exhibitions’ companion publications. Other publications include “Viewpoints: Photographs from the Howard Greenberg Collection” (2019), and contributions to “Ruth Orkin: A Photo Spirit” (2021), “The New Woman Behind the Camera” (2020) and “Une histoire mondiale des femmes photographes” (2020). Previously, Gresh worked as curator and taught history of photography in Cairo and Paris, where she also wrote her PhD dissertation on The Family of Man at the École des Hautes Études en Sciences Sociales.
RULES & REQUIREMENTS
WHO CAN APPLY:
The Lucie Scholarships are open to professional and emerging photographers 18 years and older, worldwide. We define “professional” as any photographer who earns the majority of their income from photography. We define “emerging” as any photographer enrolled as a student, in the first five years of their photography career, or does not earn the majority of their income from photography.
WHAT IS REQUIRED TO APPLY:
Please read the following information carefully to make sure your application material is complete.
Incomplete applications will not be considered:
- Project Proposal (1,500 characters max). This proposal should include the following:
- Project Start and End Dates
- Description of your project
- Your Plan for completing the project (i.e. how you intend to approach the project and how you intend to use the scholarship money)
- Five Goals that you plan to accomplish while working on the project (e.g. producing 20 new images, making 5 prints, etc.)
- A one-page biography and/or CV
- Twenty digital images
USE & OWNERSHIP:
The photographer must be the sole author and owner of the copyright of photos entered in to the competition. Copyright and all other rights remain that of the photographer. Any photograph used by Lucie Foundation shall carry the photographer’s credit line.
FAQ
Is there a limit to the number of scholarship applications per artist?
No, you may submit as many applications as you would like.
Can I submit the same project to the two different scholarships?
Yes, you may submit the same project to the two different scholarship categories if you feel the work would lend itself to either category.
Is there a submission fee?
Yes, the submission fee’s are:
• Professional category, $25 /submission
• Emerging category, $15 / submission
What images should I submit?
Please upload 20 digital images from the existing project that you are proposing to continue.
If you have not yet started your proposed project, upload 20 digital images from a previous cohesive project and make a note of this in your proposal.
If you have some finished images but not a full 20, please supplement with images from a previous cohesive project and make a note of this in your proposal.
How should I prepare my files?
Please prepare your files according to the specifications below. JPG only. (NO TIF, GIF, PNG, PDF files will be accepted.)
72 DPI No file should exceed 4mb
Can I send print materials, books or CD’s?
No, Lucie Foundation accepts online submissions only.
When will the shortlist and recipients be announced?
Finalists and Winners will be announced in October / November 2024, exact date TBD.
Can multiple photographers submit a project together?
If you both are actively photographing the project submitted together, yes you can. Prize earnings and prizes will be split between you both. Please put one name in first name section, and one name in last name section when submitting, and make note of it being a multi photographer project in the proposal.
How will I know if I was selected?
If you were selected for the shortlist or as a recipient, you will be contacted directly through the email which you provided in the submission form. The shortlist and recipients will also be announced via the Lucie Foundation newsletter, website, and social media.
For any questions, please contact us at team@luciefoundation.org
Thank you to our Sponsors
The Los Angeles Center of Photography (LACP) is a crucible that forges creative vision, insight, and experimentation into a vibrant photographic community that expresses the cultural and artistic crosscurrents that are the essence of Los Angeles. LACP is committed to remove any barriers for entry, and it supports, mentors and promotes visual storytellers and their creative journeys, at all stages of life and career.
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Picto was founded in Paris in 1950 by Pierre Gassmann, a photography pioneer. Over time, Picto has evolved into a prominent collaborator with some of the world’s most renowned photographers, galleries, museums, and prestigious fashion, luxury, and beauty brands.
In 2015, Picto New York was established as part of its global expansion. Picto New York caters to the requirements of professional photographers and visual artists, ranging from studio services to image retouching, printing, and framing, as well as providing image production, prepress, and traffic services to global luxury brands.
As one of the earliest adopters of digital imaging technology for the photographic and commercial wide format printing markets, ILFORD has been at the forefront of innovation in the industry, demonstrating the ability to design products in line with changing technologies.
Experience is paramount and ILFORD has used its knowledge to fine-tune its core competencies to excel in producing innovative products over the years.
As a result, ILFORD is one of the only companies in the world to offer its customers a ‘best in class’ solution for producing outstanding printed images and displays, regardless of their application.
Our team continues to develop technical building blocks to ensure that ILFORD can respond directly to any step change in technology.
The ILFORD name is well established in the history of imaging and today continues to be associated with cutting edge technology thanks to its strong links to the photographic and commercial wide format printing markets, research and development, technical know-how and manufacturing capabilities.