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Miami-formed and long-time Nashville-based, genre-bending Americana icons The Mavericks return with their highly anticipated 13th studio album 'Moon & Stars.' The record marks their first new music release since 2020’s groundbreaking and chart-topping 'En Español' project and their first return to a full English language release since their acclaimed 'Brand New Day' album in 2017.
“This record has been a journey of reflection, introspection, patience, learning and evolving. Some of these songs were written years ago, but they weren’t ready. Or maybe we weren’t. We are now," the band says.
Already known for their distinctive and eclectic Americana/roots fusion of alternative & outlaw country, rock, blues, R&B and Tejano/Tex-Mex influences, The Mavericks quite appropriately recorded the tracks of 'Moon & Stars' across the country in Blackbird Studio (Nashville, Tennessee), Frogville Studios (Santa Fe, New Mexico), and Dockside Studio (Maurice, Louisiana). The result is a long-awaited album that instantly invokes both a timeless feel of a classic Mavericks release that will fit seamlessly among their most revered career work, while once again challenging genre conventions and pushing the boundaries of their melting pot sound ever forward.
Special featured guests on the album include Sierra Ferrell, Maggie Rose, Nicole Atkins, and the band’s own ‘Fantastic Five’ member Max Abrams. Song co-writers include Bernie Taupin, Sam Hollander, Wally Wilson, and more
Gracie Abrams returns with her sophomore album, "The Secret of Us" released via Interscope Records. This is Gracie's most expansive body of work both sonically and narratively. Coming off the heels of her hugely successful debut "Good Riddance" Gracie shows us how much she has accomplished in one short year. Gracie's growth as a songwriter and vocalist is showcased in her most extroverted album yet, as she continues to work with longtime collaborator Aaron Dessner. A portion of these songs were also written with Gracie's best friend, Audrey Hobert. This album was written with the urgency with which you run home to detail every moment of a night to your friend, with her live experiences over the past year having deeply shaped the identity of this album.
Johnny Cash recorded an album’s worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world’s greatest songwriters, introducing him to a new generation of fans. Songwriter’s unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.
Imagine Dragons’ sixth studio album LOOM represents the pinnacle of their artistic journey of self-discovery and marks the best body of work they've ever made. LOOM, produced entirely by Imagine Dragons and their longtime collaborators Mattman and Robin, finds the perfect balance between the classic sounds that have made them superstars and the freshness that brought them joy in the studio. Featuring 9 brand new tracks including hit single “Eyes Closed”, LOOM signifies new beginnings on the horizon – the excitement for a new day, moments yet to come.
"empathogen" is the sixth studio album from WILLOW. This release sees WILLOW moving in a new alternative & jazz tinged direction following her widely praised 2022 release
Written and produced by Songwriter’s Hall Of Famer Linda Perry, Crooked Boy features four brand-new tracks from Ringo Starr with his trademark vocals and legendary drumming.
Billie Eilish’s third studio album, "HIT ME HARD AND SOFT", released via Darkroom/Interscope Records is her most daring body of work to date, a diverse yet cohesive collection of songs— ideally listened to in its entirety from beginning to end—does exactly as the album title suggests; hits you hard and soft both lyrically and sonically, while bending genres and defying trends along the way. With the help of her brother and sole collaborator, FINNEAS, the pair wrote, recorded, and produced the album together in their hometown of Los Angeles. This album comes on the heels of her two massively successful albums “WHEN WE ALL FALL ASLEEP WHERE DO WE GO?" and "Happier Than Ever" and works to further develop the world of Billie Eilish.
Metamodern Sounds in Country Music is the second studio album by American country music singer-songwriter Sturgill Simpson. The album was produced and engineered by Dave Cobb and was released on May 13, 2014, through High Top Mountain/Thirty Tigers.
'Metamodern Sounds in Country Music' 10 Year Anniversary Edition, to be released May 10, 2024, features fully reimagined album artwork for the CD and vinyl release. The limited edition vinyl variant is packaged in an "old-style" tip-on gatefold jacket and pressed on 180g black vinyl.
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St. Vincent’s first self-produced record, All Born Screaming is Annie Clark at her most unfiltered. All Born Screaming is an invitation to test the limits of what is possible–and to then keep going; Brought to life with the aid of a highly curated dream lineup of friends — Rachel Eckroth, Josh Freese, Dave Grohl, Mark Guiliana, Cate Le Bon, Justin Meldal-Johnsen, Stella Mogzawa and David Ralicke — the album is an unadulterated expression of St. Vincent’s singular vision.
• NOTE : STREET DATE HAS BEEN BUMPED TO TBD
Within six days and “without overthinking anything,” Noah Kahan completed the five-track Cape Elizabeth EP which has amassed 200M streams. See the newly repackaged Cape Elizabeth on Aqua-colored vinyl as Noah’s “thank you to the fans who stuck around, came to shows, watched my livestreams and listened.” The vinyl features fan- favorite songs “A Troubled Mind,” “Glue Myself Shut” and “Maine.”
Composer, singer, producer, and multi-instrumentalist Laufey continues her story with Bewitched: The Goddess Edition, an expanded version of her 2023 critically celebrated and GRAMMY-winning second album. Since the release of Bewitched, Laufey has proven how staying true to oneself can result in creating a space where people can find themselves. Bewitched has been wildly successful around the world, appearing on multiple year-end best-of lists, sparking an immediately sold-out tour and reaching No. 1 on Billboard’s Jazz charts. The Goddess Edition features four brand-new original songs including lead single "Goddess" and will be available on vinyl, cassette, and CD. The expanded package includes dark blue vinyl, an updated booklet, and a custom board game.
You get older, you have a family, and you start to slow down—that’s how things are supposed to go, right? Not for Montreal band Corridor, who have returned on their fourth album, Mimi, with a sound and style that’s more widescreen and expansive than anything that’s preceded it. The follow-up to 2019’s Junior is a huge step forward for the band, as the members themselves have undergone the type of personal changes that accompany the passage of time; even as these eight songs reflect a newfound and contemplative maturity, however, Corridor are branching out more than ever with richly detailed music, resulting in a record that feels like a fresh break for a band that’s already established themselves as forward-thinkers.
Mimi immediately recalls the best of the best when it comes to indie rock—Deerhunter’s silvery atmospherics immediately come to mind, as well as the spiky e ervescence of classic post-punk—but despite these easy comparisons, Corridor remain impossible to pin down from song to song, which makes Mimi all the more thrilling as a listen.
“The goal was to work differently, which is the goal we have every time we work on a new album—to build something in a new way,” Robert explains. “This time, we took our time.” And so in the summer of 2020, Corridor’s members—Robert, vocalist/bassist Dominic Berthiaume, drummer Julien Bakvis, and multi-instrumentalist Samuel Gougoux—holed away in a cottage to engage in the sort of creative experimentation that would lead to Mimi’s ultimate creation.
Corridor tinkered with the songs’ raw parts digitally and remotely over the next few years, with co-producer Joojoo Ashworth (Dummy, Automatic) lending their own specific talents in the theoretical booth. The process was a byproduct of not having access to their rehearsal space due to the COVID-19 pandemic, but also a result of the four-piece leaning harder into incorporating electronic textures than on previous records.
“For a long time, we identified as a guitar-oriented band, and the goal of making this whole record was trying to get away from that,” Berthiaume states. Berthiaume also describes Mimi as a record about “getting older” and “figuring out new parts of life”—but despite any claims of transitional growing pains from the band, Mimi is a record bursting with new energy and life, a vibrance that’s owed in no small part to Gougoux joining the band full-time after pitching in on live performances in the past.
“I come more from a background of electronic music, so it was nice to involve that with the band more,” he explains, and Mimi contains a distinct rhythmic pulse reminiscent of classic era-post-punk’s own melding of dance and rock textures. Over bright, chiming guitars and ascending synths, Robert addresses his looming mortality on “Mourir Demain”: “I wrote it when my girlfriend and I were shopping for life insurance,” he laughs. With our little daughter growing up, we also considered making our will. I said to myself, ‘Oh shit, from now on I’m slowly starting to plan my death.”
Don’t mistake this as music about dead ends, though, as Mimi embraces and champions unfettered creativity while paving a way for Corridor’s own bright future. “We just focused on making a record that sounded the way we wanted,” Gougoux exclaims while discussing the band’s aims. “There were no limitations when it came to what was possible.”
With $10 Cowboy, Charley Crockett didn’t set out to make a themed record. He had released a concept album in 2022, the critically acclaimed Man From Waco, propelling Crockett to new heights and establishing him as one of the leaders of a sparkling revival of traditional country and folk music.
For the follow up album, Crockett wrote freely, over a two-month period, as he wound his way across the United States on the back of a tour bus. The resulting songs—raw, personal, vivid portraits of a country in transition—ended up being connected after all.
“This material is written at truck stops, it’s written at casinos, it’s written in the alleys behind the venues, it’s written in my truck parked up on South Congress in Austin,” explains Crockett. “A ramblin’ man like me, a genuine transient, is in a pretty damn good position to have something to say about America.”
As the album unfolds, you begin to understand that a $10 Cowboy is anyone who has hustled to get by, who didn’t fit in, who has slept on other people’s couches, or the street, who has fallen down, gotten up, and ventured from home chasing a paying gig, or a new start.
“Being out on the road gives you a first-hand experience of how different kinds of Americans see themselves as going through some kind of great struggle,” Crockett says. “The roughneck working the oil and natural gas fields in West Texas. The single mother raising kids by herself. The young man working a street corner because he thinks it's his only option. I would be dishonest if I said I couldn’t see the thread. Each of ‘em feel invisible. I am struck by the battles they are fighting internally, and the ways they have been entrapped by what America says they are.”
The album was recorded at Arlyn Studios in Austin, produced by Crockett and his long-time collaborator Billy Horton. It was recorded live to tape, with anywhere from 6-12 musicians and backup singers on each track, giving the songs the feel of a live performance. It’s a sound Crockett has been after for years. “Reason I cut it on tape is because when you got the right people in the room, and the great players rise to the occasion when that red light is on and the tape is rolling, you get the magic of a great performance.”
It's exactly what he achieved with $10 Cowboy. Regular bandmates Fox, Nathan Fleming, and Mayo Valdez are joined by some of the genre’s most talented players—Rich Brotherton, Kevin Smith, Dave LeRoy Biller, T. Jarrod Bonta and others, including a string quartet. Lauren Cervantes and Angela Miller sing on the album. While the musicianship and accompaniment are exquisite, they are also subtle, placed joyously, yet judiciously across the album.
No, Crockett didn’t set out to write a themed record. Or, through his studied eye, to find America. But with $10 Cowboy, he might have done both.
Rock legend Billy Idol is set to celebrate the 40th anniversary of his landmark album Rebel Yell with a deluxe expanded edition due April 26 via Capitol/UMe. Available for pre-order on Friday, March 8, the reissue includes a selection of previously unreleased songs and demos, the Poolside remix of Idol's smash hit "Eyes Without A Face" and the never-before-heard Billy Idol/Steve Stevens original "Best Way Out of Here" from the original sessions. Idol's never-betore-released cover of the Rose Royce single "Love Don't Live Here Anymore"
Rock & Roll Hall Of Fame inductees, Pearl Jam, return with their highly anticipated new album Dark Matter. The band’s 12th studio album was produced by Grammy® Award Winning Producer, Andrew Watt.
Tarantula Heart [Ipecac 25th Anniversary Indie Exclusive Limited Edition Silver Streak LP]
The Melvins new album is like nothing the band has ever done before. Probably the best record they’ve ever recorded. Certainly one of their weirdest. The five song album centers around the mammoth 19-minute opening track “Pain Equals Funny” and features Buzz, Dale and Steven along with second drummer Roy Mayorga (Ministry, Soulfly, Stone Sour and Nausea) and guitarist Gary Chester (We Are The Asteroid). Vinyl comes in a Gatefold Jacket with 12pg booklet.
BOYNEXTDOOR is back with their 2nd Mini Album HOW? which acts as a bridge between their previous releases WHO! and WHY.. Each track on the album represents a specific moment in an evolution of a relationship. Contents of the album include CD, Photo Book (72 pgs), Photo Cards (rndm 2 of 12), Post Card (rndm 1 of 6), Meme Card (rndm 1 of 6), Scratch Card, 4-Cut Photo (rndm 1 of 6), Folder Poster. US/EU Retail Excl: Photo Card (rndm 1 of 6). Dimensions: 230 x 190 x 15 mm.
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What's New 5-3-24
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Now Hear This! – May 2024
Girl In Red
I’m Doing It Again Baby!
ColumbiaBuy Now With her sophomore release, the Norwegian singer-songwriter is building her music into something more ambitious, and more exciting, and more idea-driven. It’s loud, charmingly brash and brimming with kick-ass guitar riffs and lyrical attitude while exploring themes like confidence, criticism, self-esteem, and vulnerability. Rachel Chinouriri
What A Devastating Turn of Events
New ElektraBuy Now What A Devastating Turn Of Events dips into Rachel Chinouriri’s indie youth – you can hear aspects of Lily Allen’s pop subversion – while adding fresh aspects into the mix. Carefully finessed, it’s held together by that dulcet vocal, so affecting and true. Chinouriri’s assured approach speaks loud and clear. Neil Young with Crazy Horse
Fu**in’ Up
RepriseBuy Now Neil Young with Crazy Horse have played together for over 50 years and the performances of these songs is a true highlight of that long relationship. Neil: “In the spirit it’s offered…made this for the Horse lovers. I can’t stop it. The horse is runnin’. What a ride we have. I don’t want to mess with the vibe. I am so happy to have this to share.” Pet Shop Boys
Nonetheless
Warner Records/ParlophoneBuy Now One of their best albums in years finds Neil Tennant and Chris Lowe harking back to their past in melancholic reflection. Like every previous Pet Shop Boys album, Nonetheless is clever, fun, and at times very touching. So let’s not worry too much about why Tennant and Lowe are still dancing – just be glad they are. Sia
Reasonable Woman
AtlanticBuy Now Reasonable Woman is so filled to the brim with pop perfection, it almost overwhelms with how effortless it is for her to craft such instantly connectable songs. The collection is everything Sia does best, and the sonic equivalent of a myriad of things: an empowering embrace, secrets told late at night, going to the best party in the world. Life, etc. Zayn
Room Under The Stars
RepublicBuy Now Room Under The Stars reflects where Zayn is in his life while exploring the complexities of healing, stillness and growth. It also sees the genre-bending artist explore a new sound, leaning into his soulful vocals, live instrumentation, and poetic lyricism as a songwriter. Produced by Grammy Award-winning Dave Cobb. Laufey
Bewitched: The Goddess Edition
Laufey LLCBuy Now Composer, singer, producer, and multi-instrumentalist Laufey continues her story with an expanded version of her 2023 critically celebrated and GRAMMY-winning album. The Goddess Edition features four brand-new original songs including lead single "Goddess" and includes dark blue vinyl, an updated booklet, and a custom board game. Lost Dog Street Band
Survived
Lost Dog Street BandBuy Now In their most consistent album yet, the songs here are confident while still being enjoyably loose. The band’s classic country sound, accented with fiddle and mandolin throughout, is still at the core of their sound, but singer Benjamin Tod’s vocals have gotten stronger and his writing more confident in the decade-plus they’ve been playing together. Stephanie Lambring
Hypocrite
Almost Autonomous RecordsBuy Now Hypocrite lands somewhere between Phoebe Bridgers and Alanis Morrissette as it looks for the best by reckoning with the worst, an album full of love and grace and compassion that aims to remind us that imperfection and humanity go hand in hand. The songs are serious, even painful at times, but they’re laced with humor and ultimately built to heal. Various Artists
Live on Mountain Stage: Outlaws & Outliers
Oh Boy RecordsBuy Now For over 40 years Mountain Stage has been one of the most prominent voices in both the promotion and celebration of roots music. This record showcases some of the most legendary performances from the show’s history, but also looks to the future and highlights a new generation of performers we’ll be celebrating for the next 40 years. Aaron Lee Tasjan
Stellar Evolution
Blue Elan RecordsBuy Now Nashville’s own synth-glam-rock-indie stalwart has created yet another striking collection of hyper pop, indie rock, 80s synths and angular guitars. With his trademark sardonic wit, Aaron Lee shares poignant self observations and reflections on the world at large, that are a clarion call and safe space for anyone who has been made to feel other. Sim
Playdead
UNFDBuy Now Dive into the electrifying world of SiM, the Japanese genre-blenders infusing heavy with reggae punx. While most rock and metal bands adhere to convention, SiM boldly explores uncharted territory, breaking free from genre confines. Playdead’s diverse vocals and blend of manic breakdowns and dance beats offer an unbridled intensity like no other. Adeem The Artist
Anniversary
Four Quarters RecordsBuy Now This record is the continuation of a project Adeem began four years ago, directing their attention both inwards & outwards simultaneously and to exact correlating values so that they might be able to unbind the inner workings of themself while imagining new tools for stitching the fabric of society together again. It mostly just made some gay people like country music again. LISTEN HERE LISTEN HERE Charley Crockett
$10 Cowboy
Son of DavyBuy Now Previous albums have highlighted Crockett’s unique meld of the tragic, the wistful, and the satirical. With his 13th album, $10 Cowboy, he offers his most fully realized set. Occurring as a cross between Hank Williams, a low-key carnival announcer, and the Coen brothers’ Buster Scruggs, Crockett has perfected his craft: $10 Cowboy is a 2024 standout. Judah & The Lion
The Process
Cletus the Van RecordsBuy Now This record is a song cycle about the process of grief, moving thru the traditional five stages of Denial, Anger, Bargaining, Depression, Acceptance and welcoming the pain that accompanies each stage. Rather than deflecting or bottling it up, facing the pain head-on allows us to be more human with ourselves and each other. Shannon & The Clams
The Moon Is In The Wrong Place
Easy Eye SoundBuy Now Woven from the threads of devastating loss – the sudden passing of Shannon's fianceé – this record unfolds as the Clams' most introspective to date. With Dan Auerbach's production, the album delves deep into themes of heartache and healing, and showcases the band's trademark wry psychedelia, energetic nostalgia, and flourishes of retro beauty. The Avett Brothers
The Avett Brothers
Ramseur RecordsBuy Now After more than two decades as a band, The Avett Brothers have stamped their own name on their 11th album. The album’s first single, “Love of a Girl,” is a return in some ways to their original form, too — raucous vocals, with harmonies in just the right places, over simple instrumentation. Here the guitars are electric, and the production is modern, but it’s a classic Avett Brothers theme: the agony and ecstasy of being in love.