The Fall 2014 issue of Ploughshares, edited by Percival Everett. Ploughshares, a journal of new writing, is guest-edited serially by prominent writers who explore different personal visions, aesthetics, and literary circles. 

Acclaimed novelist and short-story writer Percival Everett (Erasure, I Am Not Sidney Poitier) guest-edits this all-fiction issue. As Everett writes in his introduction, the stories "range from so-called mimetic to so-called meta. I do not like such labels and I hope to undermine their use by putting these fine works together." Authors experiment with everything from extensive footnotes to shifting points of view, and narratives range from a husband who can't stop crying (Nick Arvin's "The Crying Man") to a super-sophisticated domestic robot learning the ways of a Japanese family ("I, Kitty," by Karen Tei Yamashita). Featuring stories by Aimee Bender, Richard Bausch, and Edith Pearlman, this issue is a demonstration of the adventurousness and variety of the short story in English today. 

The issue also features Jay Baron Nicorvo's Plan B essay about surfing, and an appreciation of the early work of the poet Robert Duncan.