Aubrie SEllers

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For Aubrie Sellers, whose garage country New City Blues merged raging guitars with smart snarky commentary and a voice like light through crystal, it meant moving from the fraught to the spooky, surf and Tarantino-esque for Far From Home. Playing shows with everyone from Robert Earl Keen to Brandy Clark, sharing a thick slab of Tanya Tucker’s CMT Next Women of Country dates and co-headlining with Lillie Mae, there’s an interconnectedness – see Musgraves above – among these females who throw the rulebook out the window.
— Pollstar

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She’s an honest storyteller with a singular personality. She can both float in on a cloud of love songs and crank out existential country-rock
— Paste Magazine

NEWS

2020

BIOGRAPHY

“I feel like I’m film in a digital world,” says 30-year-old singer-songwriter Aubrie Sellers. “There are so many slick, clean-sounding records that are designed for quick consumption, but that’s not me. I make dirty, grungy-sounding records, and the emotions spill all over the place. They’re messy at times, but I find beauty in that.”

Elaborating on her film versus digital comparison, Sellers recounts a recent viewing of 2001: A Space Odyssey: “I saw it the way you should, in a movie theater, and I just sat back and let the film have its way with me. That’s how I want people to experience my records. Listen to the whole thing, from beginning to end. It’s how I grew up listening to music, and I think it still matters.”

If such a stance makes her an outlier in today’s quick-take music world, Sellers is quite comfortable with that; in fact, she’s downright happy to apply such an attitude to her own personal and artistic mission statement. “Maybe I’m a little fringe or old school, but I can only be myself,” she says. “There’s a pay-off for that: If I can inspire other artists, particularly young girls, to follow their own paths, then I know I’m doing something meaningful. I can’t think of any better response to music than that.”. . .

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Sellers takes listeners on a wandering and rollicking adventure with “Far From Home,” a lofi roots rock ‘n’ roll album worthy of all the road trips we can’t take (thanks, 2020)
— The Tennessean, Best Music of 2020
Aubrie has a ton of spunk and takes command of the stage at each and every opportunity. The next time you see us together, I’ll be opening for her.
— Robert Earl Keen
A raw, soulful offering that’s simultaneously easy on the ears
— NPR
...ferociously rocking... utterly magnetic.
— MusicRow Magazine
…powerful.
— PEOPLE Magazine