The Archives

Reprinted from Bluegrass Unlimited Magazine May 1994, Volume 28, Number 11 Sometimes the best way for a writer to tell an artist’s story is to tell as little as possible, instead politely getting out of the way and allowing the artist to put things in their own words. Such is the case with Claire Lynch….

Reprinted from Bluegrass Unlimited Magazine February 1985, Volume 19, Number 8  Ben Eldridge is not your “typical” banjo picker. He is not from the hills of Tennessee, did not quit high school to go on the road with Jimmy Martin, has not written a banjo instruction book, did not join a family band at the…

Reprinted From Bluegrass Unlimited Magazine January 1986, Volume 20, Number 7 “Wide open” best describes the picking and singing style of the Lost & Found —one of southwest Virginia’s latest contributions to bluegrass music. Twelve years in the business seem to have taught the group several things. One is that planted-in-the-sod bluegrass lovers like their…

Reprinted from Bluegrass Unlimited Magazine February 1989, Volume 23, Number 8 Although it has been nearly two years since Mike Scott played banjo for Jim and Jesse and the Virginia Boys, he has not let his musical career remain idle. His experience with Jim and Jesse as well as his years with Carl Story and…

Reprinted from Bluegrass Unlimited Magazine November 1976, Volume 11, Number 5 I first heard of Larry McNeely, as did many others, via the Glen Campbell television show. Every Sunday evening at eight o’clock, I would rush to our set, with recorder in hand, just to hear the ten minute concert section with Glen, Larry and…

Reprinted from Bluegrass Unlimited Magazine February 1995, Volume 29, Number 8 Its late; sometime after 2 a.m., and a charismatic guitarist with a gap-toothed grin and a full shock of reddish-brown hair and beard still performs for the cheering crowd clustered around the crude stage wedged among the campsites at the Walnut Valley Festival. Of…