Characters question borders and examine the value placed on life & death.
Characters question borders and examine the value placed on life & death.
La Fuerza de Antigona
DEPARTMENT OF THEATRE ARTS PRESENTS
A MAINSTAGE PRODUCTION

LA FUERZA DE ANTÍGONA
By Tlaloc Rivas
Directed by Matt Chapman
  • Thursday, November 11 at 8 p.m. in McKenna Theatre
  • Friday, November 12 at 8 p.m. in McKenna Theatre
  • Saturday, November 13 at 8 p.m. in McKenna Theatre
  • Sunday, November 14 at 2 p.m. in McKenna Theatre
  • Thursday, November 18 at 8 p.m. in McKenna Theatre
  • Friday, November 19 at 8 p.m. in McKenna Theatre
  • Saturday, November 20 at 8 p.m. in McKenna Theatre
  • Sunday, November 21 at 2 p.m. in McKenna Theatre
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In this contemporary and bilingual reimagining of "Antigone," the play and its characters question the notion of borders and examine the value placed on life and death.
"Too often we uncritically accept borders--borders of space, identity, geography, nation--as either natural or divine, unmalleable, fixed," says the play's director, Assistant Professor of Theatre Arts Matt Chapman. "We also rarely consider how these borders came to be, how they intersect, and how they are dynamic and evolving.
"The US-Mexico border is one instance. Although the Clovis people first reached the Americas some 13,000 years ago, the current border between the two nations is less than 200 years old and was constructed with no consideration of the peoples who inhabited the land for millennia before colonization, imperialism, and slavery. What happens when we do not take this border for granted, but insist that it be read through the lens of those whose cultures, histories, and lives were disrupted, erased, obliterated by a violent imposition of a conqueror's ideology? What other borders have their foundations disrupted by challenging this one?"
Director
Matt Chapman
About the Director
Assistant Professor Matthieu Chapman earned his MLitt in Dramaturgy and MFA in Acting from Mary Baldwin College’s Shakespeare and Renaissance Literature in Performance Program, and his Ph.D. in Theatre History, Theory, and Criticism from the UC San Diego Department of Theatre and Dance.  He is currently the Literary Director of New York Classical Theatre. He has directed and dramaturged numerous university and professional productions, including  "Topdog/Underdog" at the University of Houston, which was named one of the Houston Chronicle’s “Ten Best Theatre Productions of 2017.” His first full-length play, "Survivor Guilt," was a finalist for the Seven Devils Playwriting Conference, the Dennis and Victoria Ross Playwriting Program, and the Ashland New Play Festival. His play "Birmingham in Black and White" was a semi-finalist for Shakespeare’s New Contemporaries. 

Chapman's research focuses on ontological structures of blackness in the Early Modern World. His monograph, "Antiblack Racism in Early Modern English Drama: 'The Other Other'” is available from Routledge Press. His memoir titled "Shattered: My Journey to Afro-Pessimism" is forthcoming from WVU Press in 2022.
School of Fine & Performing Arts at SUNY New Paltz
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