See the latest about the school inside!
Photo: Shelby Loera (guest lighting designer) & Ethan Hoffman ('26, design & production) work together during the dress rehearsal of The Turn of the Screw in Lydia Mendelssohn Theatre. Photo courtesy of Peter Smith Photography.
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Below is a sampling of performances and events taking place at the School of Music, Theatre & Dance this month. All performance and event information is accurate as of the sending of this email. Event details may change; please review before you attend.
For the most complete and current listing, visit our Calendar of Events.
The following selected events are not in chronological order.
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Upcoming Ticketed Performances |
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| The Department of Theatre & Drama presents
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written by José Casas and directed by Jake Hooker, in collaboration with U-M Students
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April 3-13 at the Arthur Miller Theatre
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Use the code SUBSCRIBER* to get $10 tickets! |
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| The Department of Musical Theatre presents
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Music and Lyrics by Maury Yeston; Book by Peter Stone |
April 17-20 at Power Center
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*Online ticketing fees still apply. Code is only applicable for performances of OUR OZ. Code expires after the end of this production. Cannot be used at the door.
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Other Ticketed Performances |
SMTD assumes no liability for tickets purchased through unauthorized sales channels, including Craigslist, eBay, StubHub, and other secondary market or ticket broker services. We strongly advise against purchasing tickets from any source other than official U-M Ticket Offices or tickets.smtd.umich.edu, which remain the only authorized sales channels for most performances.
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Upcoming Free Performances | |
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Guests, Lectures & Master Classes |
Photo: Grad student Michael Cella the audience in an "acoustic phone ensemble" performance at the PAT (Performing Arts Technology) Showcase. Photo courtesy of Lucas Chen.
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Video: George Gershwin’s Concerto in F is his longest concert work and marks the first time he orchestrated a large-scale composition. Tzu-Yin Huang, Jayce Ogren, and the University Philharmonia Orchestra give a vibrant performance of Timothy Freeze’s scholarly edition, part of The George and Ira Gershwin Critical Edition.
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