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The UCLA Center for Seventeenth- & Eighteenth-Century Studies

Casanova: Libertine Legend

a conference organized by Malina Stefanovska, University of California, Los Angeles,
and Thomas Harrison, University of California, Los Angeles
co-sponsored by the UCLA Departments of French and Francophone Studies and Italian

Friday & Saturday, January 22–23, 2016, 9:30 a.m.

314 Royce Hall, UCLA
Anton Raphael Mengs (1728–1779), Portrait of Giacomo Casanova, 1760 Federico Fellini and Donald Sutherland on the set of Fellini’s Casanova
Giacomo Casanova is a fascinating eighteenth-century adventurer, libertine, traveler, and author of many texts in French and Italian, including a utopian novel, writings on medicine, economy, language, politics, mathematics, and, most important, one of the major autobiographies of his times, Histoire de ma vie, written in French and published posthumously in an expurgated version. The autobiography of this self-named “chevalier de Seingalt” brings together many strands and interests crucial for the Enlightenment and the eighteenth century at large, including numerous networks such as free masonry, literary salons, and academies; the gambling and theater circuits of Europe; financial expedients, such as lottery, used to finance the State; travel through numerous countries including Spain, England, Germany, Poland, Russia, and the Ottoman Empire; ethnographic observations on customs, languages, and communication, as well as notes on the rulers and courts of Europe; utopian ideas, magic, and free-thinking; libertine perspectives and—last but not least—the novel enterprise of writing one’s life, ushered by Rousseau’s Confessions. These issues, equally crucial for Casanova as was his status as an exile roaming throughout Europe, anchored him in a unique historical perspective from which he imagined, conducted, and wrote his Life. They also gave him (in spite of the vastly expurgated version of his manuscript, the only one available to the readers until mid-twentieth century) a legendary stature and appeal, creating posthumously a “Casanova myth,” which follows and possibly dwarfs that of the libertine Don Juan (it is noteworthy that Casanova participated in writing Da Ponte’s libretto of Mozart’s eponymous opera). Numerous art, film, and literary representations of Casanova exist in many national traditions in Europe, and he remains to this day a model for libertines and authors.

Casanova scholarship is experiencing a renewal, due to the fact that the original manuscript, in possession of the Brockhaus publishing house and inaccessible to scholars, has recently been acquired by France’s Bibliothèque nationale, thanks to an anonymous donor. It has given grounds to an important exhibition on Casanova and his times at the Bibliothèque and to a renewal of literary and historical studies on the author and his involvement in his society. Two major new editions are currently underway in France, including a first edition in the famous Pléiade collection, the first volume of which came out in 2013. This international and interdisciplinary conference brings together historians and literary scholars from the United States, France, and Italy to probe Casanova’s relationship to life-writing, narrative, Enlightenment thinking and practices, and literary representation.

Speakers
Raphaëlle Brin, Université Paris–Sorbonne
Bruno Capaci, Università di Bologna
Michel Delon, Université Paris–Sorbonne
Clorinda Donato, California State University, Long Beach
Jean-Christophe Igalens, Université Paris–Sorbonne
Mladen Kozul, University of Montana
Robert Kruckeberg, Troy University
Pierre Saint-Amand, Brown University
Malina Stefanovska, University of California, Los Angeles
Chantal Thomas, Centre national de la recherche scientifique
Christopher B. White, independent scholar

Advance booking is requested for each day.



Center for 17th- & 18th-Century Studies
310 Royce Hall, UCLA, Los Angeles, California 90095-1404
Phone: 310-206-8552 | Fax: 310-206-8577
E-mail: c1718cs@humnet.ucla.edu | Website: www.1718.ucla.edu



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