Images:
Addison façade with Jennifer Cecere, Women's Work, 2024, laser-cut aluminum, 20 ft. diameter, photo by Julia Featheringill; Alec Soth, Enchanted Forest (36), Texas, 2006, pigmented inkjet print, High Museum of Art, Atlanta, commissioned with funds from Photo Forum and the Friends of Photography for the Picturing the South series, 2009.12. © Alec Soth / Magnum Photos; Todd Webb, Garden City, KS, 1955, printed 2023, inkjet print, courtesy of Todd Webb Archive. © Todd Webb Archive; John Singer Sargent, Cypress Trees at San Vigilio, 1913, oil on canvas mounted on Masonite, 28 1/4 x 36 1/4 inches, gift of Cornelius N. Bliss, 1928.52; Jacob Lawrence, Kibitzers, 1948, egg tempera on Masonite, 20 x 24 inches, gift from the Childe Hassam Fund of the American Academy of Arts and Letters, 1951.3; Jennifer Cecere, Abbot Doily Bench, 2024, laser cut aluminum, 9 x 5 x 8 ft.; photo by Julia Featheringill; George Tooker, Market, 1949, egg tempera on gesso panel, gift of John P. Axelrod (PA 1964) and partial museum purchase in memory of John O’Reilly and Jim Tellin, 2024.99; John Henry Twachtman, Hemlock Pool, c. 1900, oil on canvas, 29 7/8 x 24 7/8 inches, gift of anonymous donor, 1928.34; Carmen Herrera, Réalités Nouvelles, 1948, acrylic on canvas, 31 x 39 1/4 inches, © Estate of Carmen Herrera. Courtesy Lisson Gallery, New York; Kay WalkingStick, Niagara, 2022, oil on panel in two parts, New-York Historical Society, purchased through the generosity of Agnes Hsu-Tang and Oscar Tang; Nancy Newcomb; Anonymous; Barry Barnett; Helen Appel; Belinda and Charles Bralver; Dorothy Tapper Goldman; Margi and Andrew Hofer; Louise Mirrer; Jennifer and John Monsky; Suzanne Peck and Brian Friedman; Pam and Scott Schafler; Barbara and Elliott Wagner; and Linda Ferber, 2023.2ab. © Kay WalkingStick; Childe Hassam, Little Cobbler's Shop, 1912, oil on canvas, 16 1/2 x 30 3/8 inches, gift of anonymous donor, by exchange, 1936.27; Hedda Sterne, Untitled, 1989, oil, pastel on canvas, 52 X 52 inches, partially purchased as the gift of Roger E. Kass (PA 1979, P 2019) and Andrea van Beuren (P 2019) and partial museum purchase.
Exhibition and program credits:
A Long Arc: Photography and the American South since 1845 is organized by the High Museum of Art, Atlanta. Generous support for the Addison’s presentation of the exhibition has been provided by the Francesca S. Woodman Exhibitions Fund.
Robert Frank and Todd Webb: Across America, 1955 is organized by the Museum of Fine Arts, Houston, and the Todd Webb Archive, Portland, Maine. The Addison’s presentation is generously supported by the Mollie Bennett Lupe and Garland M. Lasater Exhibition Fund.
Generous support for Laying the Foundation: Exploring the Nucleus of the Addison’s Collection has been provided by the Bernard and Louise Palitz Exhibitions Fund and the John-Esther Art Fund.
Finding American Form: 20th-Century Selections from the Permanent Collection is generously supported by the Sidney R. Knafel Fund.
Generous support for Jennifer Cecere: Abbot & Andover at 50: Then, Now, Next is provided by the Abbot Academy Fund, continuing Abbot’s tradition of boldness, innovation, and caring.
Americans in Paris: Artists Working in Postwar France, 1946–1962 is organized by the Grey Art Museum, New York University. Curated by Debra Bricker Balken with Lynn Gumpert, the exhibition is made possible in part by generous support from the Terra Foundation for American Art, sponsor of the international tour; the National Endowment for the Arts; the Ellsworth Kelly Foundation; Hauser & Wirth; Robert E. Holmes and David Hubensky; the Helen Frankenthaler Foundation; The Falkenstein Foundation; the O’Brien Art Foundation; the Sam Francis Foundation; Francis H. Williams and Keris Salmon; the Al Held Foundation; David Hall Gallery, LLC, Wellesley, MA; the Grey’s Director’s Circle, Inter/National Council, and Friends; and the Abby Weed Grey Trust. In-kind support is provided by ArtCare Conservation, Ryan Lee Gallery, and Les Films du Jeudi. Support for the publication has been provided by the Boris Lurie Art Foundation; the Henry Luce Foundation; and the Schaina & Josephina Lurje Memorial Foundation. Funding for travel and research was provided by the Terra Foundation for American Art; Global Research Initiatives, Office of the Provost, NYU; and the RISD Professional Development Fund. Generous support for the Addison’s presentation of this exhibition has been provided by the Ellsworth Kelly Foundation, the Sidney R. Knafel Fund, the Mark Rudkin Fund, the Sam Francis Foundation, and James H. ’61 & Liliane Rubin P’91, ’95.
Kay WalkingStick / Hudson River School has been organized by the New-York Historical Society. Generous
support for the Addison's presentation has been provided by Katherine D. and Stephen C. Sherrill (PA 1971, and P 2005, 2007, 2010) and the Elizabeth and Anthony Enders Exhibitions Fund.
Generous support for Figure / Ground has been provided by the Mollie Bennett Lupe and Garland M. Lasater Exhibition Fund.
