Dear community,
CPH:DOX kicked off this week, and we’re thrilled to be back in Copenhagen with a first time-ever formal Chicken & Egg Films Delegation. Comprising all our 2025 CEA Award filmmakers as well as a mighty contingent of staff and board members, the Delegation will take on a jam-packed schedule! We can’t wait to share back our learnings and experiences.
Read on to learn more about what’s on the docket at CPH, meet two new board members, see our 2026 EL filmmakers’ smiling faces at our winter retreat, meet Mickey, this month’s spotlight film, celebrate Women’s History Month with our friends at POV, and more.
Thanks for reading!
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Meet our new Board Members
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We’re thrilled to welcome two new leaders to our Board of Directors, and we thank them for offering their time, ideas, expertise, and beyond to help advance the organization’s mission.
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Pictured: Board Member Darley Tom
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Darley Tom
Darley is Managing Partner at Maverick Collective. A connector at heart, she brings nearly 20 years of cross-sector experience designing purpose-driven initiatives that bring people together to drive meaningful change. → Read more
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Pictured: Board Member Christie Marchese
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| Christie Marchese
Christie is founder and CEO of Kinema and EVP of Entertainment Partnerships at Publicis Media. She founded Picture Motion, co-authored The Distribution Playbook, and serves on The Redford Center board.
→ Read more
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Community keeps us warm at the 2026 EL retreat
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Pictured: EL 2026 cohort filmmakers, staff, and consultants
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In February, we gathered for our (Egg)celerator Lab winter retreat, held in Canada for the first time. It was a joyful, productive week with our filmmaker cohort, where a series of creative feedback sessions led to breakthroughs big and small. Community matters more than ever, and we’re proud to keep nurturing spaces where documentary filmmakers can grow together.
PLUS: Could this be you next year? We’re accepting applications for the 2027 (Egg)celerator Lab through April 29, 2026!
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“García delivers a formally daring and emotionally intimate work shaped by sustained collaboration. Challenging cinematic conventions and expanding the language of trans representation, the film asserts trans cinema as both aesthetic innovation and political transformation. ” —Cinema Tropical
Filmed over the course of a decade, Mickey follows Mickey Cundapí, a trans multidisciplinary artist navigating her transition in the conservative city of Mazatlán, Mexico. Directed by multi-award winning trans Mexican filmmaker Dano García, the film pushes against documentary convention to tell a vibrant story in its own terms. Dano and Mickey, who met as roommates in Mexico City, revisit Cundapi’s family home videos and media diaries while staging artistic reenactments that trace a shared journey of gender transition, memory, and resilience.
Mickey will have its World Premiere at the 2026 SXSW Film Festival on March 13. Check out the trailer and grab your tickets here.
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March Community Highlights
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Pictured: Cutting Through Rocks still
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Celebrating Women’s History Month with POV’s special collection
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✦ “In a media system dominated by private markets, what kinds of civic infrastructure are necessary to serve the public interest—and... what constitutes the public interest?” In new Shorenstein Center report Reclaiming the Public Interest?, Jax Deluca advocates for co-creation in public media and shares how this approach might expand institutional capacity, redistribute agency, and link local institutions, independent creators, and civic life.
✦ “The documentary community… they are not the canary in the coal mine, they’re the lion in the coal mine.” For The Creative Independent, Geeta Gandbhir and Christalyn Hampton discuss building the discipline of trust, how they leverage their platforms to make change, and their take on top problems and solutions in the doc ecosystem right now.
✦ “Long before ‘impact production’ became a formalized industry term, Isabel and Gabriel were… pioneers of the form, architecting a model that prioritized human connection over traditional box office metrics.” Distribution Advocates share a new case study on the successful independent non-theatrical release of Isabel Rodas and Gabriel Páez’s Vengo volviendo in 2016.
✦ “Despite what the media says, THIS IS NOT A DONE DEAL.” #BlockTheMerger, a campaign led by the Future Film Coalition, shares how the Warner Bros. Discovery-Paramount merger would concentrate control over content libraries, TV networks, streaming platforms, and the pipelines for content development, production, and distribution–and offers ways to take action against the transaction.
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