If you've been following along, you already know: this community doesn't slow down. Festival season is here, and with it, a wave of C&E-supported films and filmmakers are stepping into the spotlight they've earned. With world premieres and spots on critical industry panels, so many artists are bringing bold, necessary stories to audiences around the globe. We couldn't be prouder to celebrate alongside them.
Read on for updates from Tribeca, Sheffield DocFest, DC/DOX, and Cannes, plus our newly announced 2026 Chicken & Egg Award cohort, an article on impact storytelling from CEO Jenni Wolfson, Board Member Marjan Safinia’s energizing take on #BlocktheMerger, and much more.
|
Discounted tickets: Join us at Tribeca for Five World Premieres
|
Five C&E-supported films will have their World Premiere at Tribeca this June! Together, these films reflect the range, ambition, and urgency of the documentary form, and we couldn’t be more proud to celebrate this moment in their creative journeys.
Plus: We’re excited to partner with Tribeca Festival to co-host several screenings throughout the fest. Enjoy 20% off tickets to supported film screenings with the code tf26chickegg at checkout!
✦ Barbara Attie, Janet Goldwater, and Mike Attie’s Hollywood Does Abortion
✦ Cynthia Lowen and Jon Cohrs’ Kids Like Me
✦ Gabriela Díaz Arp’s Matininó
✦ Habiba Nosheen’s The Gymnasts of Fisherman Colony
✦ Natalie Baszile and Hyacinth Parker’s Harvest
✦ (AlumNest) Aurora Brachman’s When the Revolution Doesn’t Come
✦ (AlumNest) Violet Du Feng’s Only the Lonely
|
2026 Chicken & Egg Award filmmakers announced via Documentary magazine
|
Top left to right: Zippy Kimundu, Chase Joynt, and Amber Fares. Bottom left to right: Tamara Kotevska, Jules Rosskam, and Ema Ryan Yamazaki
|
ICYMI: We announced last week via Documentary magazine $450,000 in grants to six recipients of our 2026 Chicken & Egg Award. Our flagship program awards each cohort member a $75,000 grant and year-long tailored mentorship. The Award recipients are Amber Fares, Chase Joynt, Ema Ryan Yamazaki, Jules Rosskam, Tamara Kotevska, and Zippy Kimundu. Learn more about the cohort and their projects here.
|
C&E at Sheffield DocFest this June
|
Sheffield DocFest takes place this June 10–15, and we’re excited to see the C&E community well represented. The festival lineup includes Gabriela Díaz Arp’s Matininó, Jeanie Finlay’s All Rivers Spill Their Stories to the Sea, and films from AlumNest filmmakers Maite Alberdi and Tia Lessin.
The MeetMarket includes Sara Chishti’s Taxi Driver and Alyse Shorland’s The People’s Network, and the industry program will feature sessions with Maite Alberdi, C&E Board Member Christie Marchese, Lindsey Dryden, and Gabriela Díaz Arp. Program Director Kiyoko McCrae will also be in attendance at the festival.
Plus, Sheffield DocFest has shared a 30% discount on the Standard Industry Pass for our community:
|
Stories, strategy, and community at DC/DOX
|
We’re heading to DC/DOX this June 11—14, where supported films and filmmakers will be featured across the festival lineup and Reality Check Forum:
✦ Natalie Baszile and Hyacinth Parker’s Harvest
✦ Cynthia Lowen and Jon Cohrs’ Kids Like Me
✦ Efraín Mojica and Rebecca Zweig’s Jaripeo
✦ Viv Li’s Two Mountains Weighing Down My Chest
✦ (AlumNest) Aurora Brachman’s When the Revolution Doesn’t Come
✦ (AlumNest) Leah Galant's Landscapes of Memory
✦ (AlumNest) Maite Alberdi’s Un hijo propio (A Child of My Own)
✦ (AlumNest) Michèle Stephenson’s True North
✦ (AlumNest) Kenya Jade Pinto’s Signal to Noise
In the Reality Check Forum, CEO Jenni Wolfson joins supported filmmakers Kenya Jade Pinto, Michèle Stephenson, Shalini Kantayya, Catherine Gund, Penny Lane, Ema Ryan Yamazaki, and Stephen Maing for conversations on archival practice, editing, development, funding, and the future of documentary storytelling. Development Director Amber Sasse will also be in attendance at the fest.
|
From the Croisette: Cannes 2026
|
Top left to right: Viv Li, Ema Ryan Yamazaki, and still from Green is the Fire’s Tint. Bottom left to right: Svitlana Lishchynska, Ash Goh Hua, and still from Portrait of A.
|
Cannes 2026 is a wrap! Nearly-finished films that made waves included Cristina Hanes, Isabella Rinaldi, and Arya Rothe’s Green is the Fire’s Tint and Rand Beiruty’s Portrait of A, alongside new projects from AlumNest filmmakers Svitlana Lishchynska and Ash Goh Hua. Filmmakers also shared insight and expertise in industry talks, including Viv Li at DAE’s 'Ask Me Anything' Consultations and Ema Ryan Yamazaki at The Edit IS The Film.
|
Storytelling for Social Change by CEO Jenni Wolfson
|
|
|
|
|
CEO Jenni Wolfson’s 2025 FIFDH keynote has been newly published in Documentary magazine. Her remarks hone in on three core principles that shape impactful storytelling: intimacy, proximity, and agency. Drawing on her background in human rights and examples from our supported films, including Black Box Diaries, Black Snow, Pay or Die, and Songs from the Hole, Jenni shares how docs move audiences from understanding to action, and why collaboration between filmmakers, advocates, and funders is essential now and always. Read the full piece here.
|
|
|
|
Board Member Marjan Safinia talks #BlocktheMerger
|
|
|
|
|
“As fear is contagious, courage is also contagious.” —Marjan Safinia
In an episode of Doc Talk, Board Member Marjan Safinia joined Independent Lens' Lois Vossen to discuss the Paramount-Warner Bros. Discovery merger and its potential impacts on the documentary field.
The conversation explored media consolidation, shrinking independence, viewpoint suppression, and restricted access to archives. But it also emphasized the power of collective action. As Marjan shared, “This is not a done deal." Thousands of film workers and industry members have united in opposition to the merger.
The conversation is a reminder that documentary communities have always fought to protect independent voices, and that courage can catch fire. Listen in full here.
|
|
|
|
Monthly Film Spotlight: All Rivers Spill Their Stories to the Sea |
Pictured: All Rivers Spill Their Stories to the Sea still
|
“Finlay has a keen eye for details that lovingly evoke the textures of the wider community… Ultimately, the film is a celebration of the region and its people, and a much-needed amplification of voices that are all too frequently drowned out in the rush to redevelop.” —Screen Daily
All Rivers Spill Their Stories to the Sea brings us to the fishing community of Teesside in Northern England, the hometown of director Jeanie Finlay, as townsfolk confront an ecological disaster threatening both their livelihoods and their way of life. Bringing empathy, urgency, and deep local knowledge, Jeanie creates an intimate portrait of a community fighting political manipulation while holding onto each other and the waters that have sustained them for generations.
All Rivers Spill Their Stories to the Sea had its World Premiere at CPH:DOX this year and will continue its festival tour at Sheffield DocFest and beyond. 🎣
|
Pictured: Kimi Takesue in the Criterion Closet
|
|
|
|
✦ In Life After Distribution: A Case Study, Multitude Films examines how the film Life After’s team built a self-directed, accessibility-centered distribution strategy designed to expand the film’s audience reach and social impact beyond traditional release models.
✦ “Resisting oppression is not only about immediate victory, but about preserving truth, memory, and human expression across time.” In Time Is the Task for the Shorenstein Center, Shirley Abraham reflects on how language, storytelling, and artistic expression help protect collective memory.
✦ In an interview with Filmmaker Magazine, filmmaker Joua Lee Grande speaks from Minneapolis during Operation Metro Surge about the ethical demands of nonfiction filmmaking in moments of state surveillance, fear, and political targeting.
✦ In The Guardian’s “Strength in numbers: what have 50 years of labor union documentaries shown us?”, Brett Story and Stephen Maing’s Union is highlighted as proof that documentaries remain vital tools for documenting worker struggles, even as labor organizing continues to evolve.
✦ IndieWire’s “Indie Film Has an Audience Problem” argues filmmakers must expand their focus beyond production and design long-term strategies that build trust, familiarity, and emotional investment with audiences over time.
|
Please consider supporting our work to champion the storytellers and stories our world needs, now and forever.
|
Thank you for being part of our community! |
|
|
|
Manage your preferences | Opt Out using TrueRemove™
Got this as a forward? Sign up to receive our future emails.
View this email online.
|
55 Washington Street Suite 307 | Brooklyn, NY 11201 US
|
|
|
|
|