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Reception: August 6, 6:00 - 10:00 p.m.
August 6 - August 29, 2026
Los Angeles Center for Digital Art, Los Ángeles, CA
The Los Angeles Center For Digital Art is dedicated to the propagation of all forms of digital art, new media, digital video art, net art, digital sculpture, interactive multimedia, and the vast panorama of hybrid forms of art and technology that constitute our moment in culture.

July 1 - October 4, 2026
Sprengel Museum Hannover, Germany
Paul Mpagi Sepuya's first major solo exhibition in Germany offers insight into a body of work that fundamentally questions and expands the photographic portrait. Featuring more than 90 works spanning roughly two decades, the exhibition provides a comprehensive overview of the development of Sepuya’s artistic practice.

August 3 - September 25, 2026
The Creative Philadelphia Art Gallery at City Hall
Blaise and Virginia were both CETA artists in NYC, working for the Cultural Council Foundation Artists Project, 1978-79. The exhibit highlights the significance of the Comprehensive Employment and Training Act (CETA), the largest federally funded artists employment project since the WPA in the 1930s and demonstrates its relevance in the context of the current cultural sector.

This issues is co-edited by PhD alum Noni Brynjolson and includes an essay by PhD student Leila Abdelrazaq. Over the past decade, FIELD has remained committed to providing independent critical analysis of activist and engaged and art practices, filling a significant void in contemporary art criticism.

A*DESK
Can the internet still serve as a site for collective exploration and political action? Looking across the forgotten genealogies of digital art in Mexico between the 1990s and 2010, this text explores how contemporary net art is deeply rooted in traditions of mail art, concrete poetry, textile work, and activism.

Camera Exposure
Jack Furgerson is a San Diego–based photographer whose work documents the people, places, and everyday moments that shape Southern California culture. Working primarily with film photography, his images balance nostalgia and observation, capturing the character of suburban neighborhoods, coastal communities, and the individuals who inhabit them.

June 26 - September 13, 2026
ICA at Maine College of Art & Design, Portland, ME
A Sea of Particles explores the lasting effects of shared interactions over time. Working in a range of media, the artists research themes such as familial relationships, cultural inheritance, value systems, modes of transmission, accumulation, grief and memory, touch and repetition, and more.

June 1 - September 30, 2026
Digital Billboard at The Worl, Los Angeles, CA
The West Hollywood Moving Image Media Art Program (MIMA) is an exhibition series presenting moving image artworks on multiple digital billboards along Sunset Boulevard. At the top of every hour, MIMA presents "Hand Shapes and Scene Numbers" by Alison O’Daniel, a video of Deaf artist Christine Sun Kim signing scene numbers from O’Daniel’s film The Tuba Thieves.

July 3 - October 5, 2026
ICA Miami, Miami, FL and online
The installation features works that deliberately misuse technology to explore the knowledge it holds. Through acts of repair, error, repurposing, and deliberate misapplication, they ask how technology might become strange again—and therefore newly thinkable.

July 11 - August 15, 2026
Best Practice, San Diego, CA
Both artists utilize materials and imagery that imply the physical hands or touch the objects once felt, as well as the traces and resonances of these touches. Their emphasis on fragments of personal archives, notes, gifts, and recorded memories aligns with their overlapping themes of queerness, (in)visibility, material memory, and resisting archival violence.

June 6 - August 16, 2026
California Center for the Arts, Esconcido, CA
Developed through the Museum’s In Studio Artist Residency program, the exhibition approaches landscape as a site where memory takes shape through earth, architecture, domestic objects, sound, and archival research. The artists draw from family histories, overlooked narratives, ancestral practices, and experiences of migration and exile, creating environments where personal memory and collective history remain closely intertwined.