Photo: The Department of Dance presented their annual University of Michigan Dance Company performance at the Power Center in February. Photo courtesy of Brenda Ahearn.
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Below is a sampling of performances and events taking place at the School of Music, Theatre & Dance this month. All performance and event information is accurate as of the sending of this email. Event details may change; please review before you attend.
For the most complete and current listing, visit our Calendar of Events.
The following selected events are not in chronological order.
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Upcoming Ticketed Performances |
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Use the code SUBSCRIBER to get $10 tickets* to these performances! |
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composed by Benjamin Britten with a libretto by Myfanwy Piper, from the short story by Henry James |
March 27-30 at Lydia Mendelssohn Theatre
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| written by José Casas and directed by Jake Hooker, in collaboration with U-M Students
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April 3-13 at the Arthur Miller Theatre
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*Online ticketing fees still apply. Code is only applicable for performances of TURN OF THE SCREW and OUR OZ. Code expires after the end of these productions. Cannot be used at the door.
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Other Ticketed Performances |
SMTD assumes no liability for tickets purchased through unauthorized sales channels, including Craigslist, eBay, StubHub, and other secondary market or ticket broker services. We strongly advise against purchasing tickets from any source other than official U-M Ticket Offices or tickets.smtd.umich.edu, which remain the only authorized sales channels for most performances.
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Upcoming Free Performances | |
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Guests, Lectures & Master Classes |
Photo: Alumni Ashley Park (‘13 BFA musical theatre) visits with current musical theatre students during a talkback on campus. Photo courtesy of Lucas Chen.
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Video: The U-M Design & Production Portfolio Exhibition lets audiences take peek behind the scenes of the plays, musicals, dance concerts, and operas at the University of Michigan.
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Video: Charles Lwanga, assistant professor of music (ethnomusicology) has published his creative ethnomusicology composition “Silence and Suspence” for marimba, a composition that brings atonal and African art music into conversation. Originally composed for solo cello, the idea of a marimba version of “Silence and Suspence” was initiated by doctoral student Paige Madden during Lwanga’s “Theory and Analysis of Nonwestern and World Musics” class in the fall term of 2024.
Learn more about the composition and performance here.
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